GUEST POST: A Moon Ritual (Plus: Added Imposter Syndrome!), Pt. 1

a guest post by D.J. Smith “The Devil is in the details” is a perfect encapsulation of what these 72hrs felt like to me. I originally intended for this post to be a cute, sorcerous spin on Pink Moon rituals, but this instead became a fight for my pride and an exploration of my quirks …

Continue reading GUEST POST: A Moon Ritual (Plus: Added Imposter Syndrome!), Pt. 1

Now is your chance – just a few spots left open for the Suntree Retreat!

For some time now, folks online and in the Zoom chats have referred now and again to “APCon”, an imagined in-person gathering where we can meet, discuss our path, socialize, and share community. Real hugs (with consent, of course)!

The May Cross-Quarter (Vernal Equitherm or Beltane) is less than two weeks away! + online celebrations

As I stand here on this celebration of Beltane, the sacred wheel of the year continues to turn. As my forebears did, I do now, and so may my descendants do in time to come. The dark half of the year is over and Summer has begun.

Guest Post: My Atheopagan Life (Pt. 2)

by Holly H. Weekly In my kitchen I have five bins; one of general recycling and one for glass recycling, both of which are picked up by my council, one compost bin of food waste that I compost myself for the garden, one general bin which normally contains bread or fat food waste and is …

Continue reading Guest Post: My Atheopagan Life (Pt. 2)

Rituals, Herbs, Pagan Etiquette, and more! Recent Episodes of THE WONDER podcast, by Mark Green

The concept behind THE WONDER—named, of course, for the awe and reverence we feel as we contemplate the magnificent Universe—is that it will be an ongoing resource for non-theist Pagans to inform and inspire our practices and stimulate our thinking.

Guest Post: My Atheopagan Life (Pt. 1)

by Holly H. I began taking a meandering path towards Atheopaganism when I left Protestant Christianity in my early teens. As a thirteen year old who had recently become alienated from the concept of deities following the death of my grandfather, I took a walk along a canal tow-path in rural Wiltshire, UK. It was …

Continue reading Guest Post: My Atheopagan Life (Pt. 1)

New Pagan Music! Our Inspiring Pagan Revival Gains Another Voice – Bog Bodies!

And what a great lineup they have!  Check it out below! 

From the Atheopagan Society: A Statement of Policy Values

Ours is an engaged spirituality: engaged in society, engaged in the world. Atheopagans care not only about our own growth, joy in living, discovery and wonder, but the well-being of our fellow humans and the biosphere of which we are each a part. Our Atheopagan values, enshrined in the Four Sacred Pillars and the 13 …

Continue reading From the Atheopagan Society: A Statement of Policy Values

Interview: Author Luke Eastwood on Irish Tales & Folklore

Luke Eastwood is druid and a prolific author, particularly of books about Irish folklore. Dingle Folk Tales is his second collection of stories from Ireland, following Kelly Folk Tales. I chatted to him.

Q: What interests you about tales from Ireland? Does this relate to your background in Druidry?

A: It’s not essential to modern Druidry, however the bardic arts would be a major component of the Druidic path both in ancient times and in the neo-druidic movement. Geaneology, wisdom tales, songs, poems and histories would all be part of the cannon in the past, with a massive amount of memorization required. Today the learning by heart is not a requirement,  which suits me as that is not one of my  strengths.

Nonetheless, the creative arts are vitally important in druidism and story-telling is significant part of that, especially in Ireland. The Seanchaí (bearer of old lore), Seanchaidh in Scotland, is a role that still exists in a less formal way within society – with people telling stories in houses, at funerals etc to this day. In the modern Druid movement it is a distinct role as a story-teller of lore, the mythology, most commonly told from memory.

I’ve always loved stories, reading and mythology, I grew up hearing and reading stories of the British Isles, Rome, Gaul, Greece and the Vikings and I accidentally stumbled across Egyptian mythology in a library and loved it immediately. Sadly, I am not the best at remembering all the elements or names in a story, I have to sometimes use a flashcard or post-it to remind myself! If I can remember where I am and all the key names I can usually manage a decent tale, but I find they are always slightly different as I will ad lib around the main story.

Q: Which are your favourites from your book, and why?

A: I found the Ryan’s Daughter story a  lot of fun, not least of all the scandalous goings-on of Robert Mitchum during the filming around Dingle, some of which was very amusing indeed. I also loved the story “The Leprechaun and The Old Couple”, which is another very funny, although very short story. A more serious one is “Inis Tuaisceart”, about the most northerly Blasket isle, which serves as somewhat of an environmental horror story, a warning if you will, of what happens when people are stupidly greedy and destroy their own means of living.

Q: What do you feel is the importance of storytelling in general, and folk tales in particular?

A: Real physical culture is more important than ever in this ages of virtual communication. There’s nothing like sitting under the stars by a campfire and sharing stories, poems and songs. It’s very direct and real and can often be quite touching, sad or joyful and emotional. It feels  to me like we are losing the ancient culture and connection with the past to an armada of technology. Personally I don’t think it’s a good road for humanity, although on the flip side it can connect people who are in far away places or people who are isolated by disability, lack of money etc, so that they can also join in or watch. I guess  it’s  how you use the tech that’s the key here and if it can be used to keep traditions and knowledge alive then I guess that’s a good thing.

Q: How did you go about collecting and editing the tales for publication?

A: It took me 2 or 3 years to collect all that’s in this book. I had to stop somewhere as there were so many possibilities, otherwise this book could have ended up 1,000 pages and taken over a decade! I was lucky to meet many people who were either directly involved in some of the more modern stories or who had connections with the places or people in the older stories. I also had access to some old books as well as the Dúchas Schools Collection from the 1930s. I tried to get a good mixture of the ancient mythology,  stories from the past few hundred years and also modern stuff – such as Fungie the dolphin.

Q: What advice would you give to people who wanted to explore the folk tales of their own area?

A: I guess the most obvious places to start are seeking out old people and visiting your local library. Often librarians will prove to be useful (they were for me) and many older people may either remember interesting stories or know an older person who has an interest in history and/or mythology. A lot can also be gleaned from mythology books if you don’t have anyone to physically ask for stories.

Q: Are you working on any more anthologies or other writing?

A: I’m working on an illustrated children’s book (with Elena Danaan) and also a photographic book on sacred sites in Ireland. That’s also a collaboration with a photographer, which will hopefully result in a large format book, with some historical lore/info to accompany the images. These are both long finger (put-off) projects  that I’d like to complete  this or next year, but I am trying to avoid starting anything completely new for a while.

Q: Is there anything else you would like to say?

A: Recently I’ve come across quite a few artistic people who are now doing okay or very well despite a slew of rejections and disheartening events in the past. Being artistic is not easy and you really need to have confidence in your abilities if you’re ever going to succeed. Of course, you need to be realistic about your potential but, at the same time, not be deterred by all the nay-sayers. At the end of the day, most of these people who judge you harshly or hold power over you have money and profit as their primary motivation and are often the least qualified to judge authenticity, passion and talent. If you can remember that and not let the industrial/corporate paymasters undermine and dishearten you, then you have some chance. Even if you do fail, artistic endeavours are worth doing for their own sake anyway!

You can visit Luke Eastwood’s website here:

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My Talks on Scrying, Psychogeography & Witchcraft

Here’s the list of the talks, workshops and other events I’m running from this evening until the end of April. There’s a mixture of online and in-person events. Some are free.

Thursday 31 March; Walking in the Weird City. I will be giving an online talk on psychogeography for ASSAP members. Time: 7pm. Free event, with Zoom link details emailed out to members. To join ASSAP, for £5 per year, visit

Saturday 2 April; Scrying: Crystals Balls, Dark Mirrors and Vessels of Water. Zoom lecture through The Last Tuesday Society and The Viktor Wynd Museum of Curiosities. Time: 7.30pm. Tickets · from £5.82.

Tuesday 5 April; I will be talking about my background in witchcraft, a bit about Doreen Valiente who lived in Sussex and is considered the grandmother of modern witchcraft, plus a bit about poppet magic at Decoy Ducks – Hampden Park Women’s Institute. All women welcome as guests. Venue: St Mary’s Church Hall, Decoy Drive, BN22 9PP.  Time: 7.30pm.
Saturday 23 April; I will be giving a talk on scrying plus conversation. Venue: Dragon Fly Yoga Studio, 24 Sydenham Road, London SE26 5QW. Time: 4pm. Entry by donation (£3 suggested).
Thursday 29 April; The Magic Mirror: The History and Practice of Skrying. Online lecture by me, Lucya Starza, via the Magickal Women Conference. Time: 7pm. Tickets: £10.
I’m Lucya Starza and as well as writing A Bad Witch’s Blog I’m the author of  books in the Pagan Portals series on Candle Magic, Guided Visualisations, Poppets and Magical Dolls, and Scrying. I also edited Every Day Magic. You can buy my books at Treadwell’s Bookshop, via Amazon, and at other bookshops. You can find more about me at my author page at publisher Moon Books, and on my Amazon author page.